Canon 8-64mm Super 16 Zoom Lens
There is a good reason Barry Ackroyd chose the Canon 8-64mm T2.4 as his primary lens on Hurt Locker - it does everything right. Not only is it sharp, has one of the most useful zoom ranges of any lens and has an amazing close-focus, but it also has almost no focus breathing at any focal length. Super-16 zooms are known for their bad focus breathing, and this lens has none at the wide end and almost none at the long end. With a field of view that is roughly equivalent to a 14.5-115mm in Super-35 terms and a close focus that nearly touches the front of the lens, this is the ultimate documentary lens. There is rarely a moment where you feel like you can't get the shot you need or feel like you have to change lenses.
Minimum Focus: 22”
T-Stop Range: T2.4-T16
Outer Diameter: 95mm
Weight: 4.25 lbs
Image Circle: ⌀15.4mm
PL Mount, Super 16 Coverage
There is a good reason Barry Ackroyd chose the Canon 8-64mm T2.4 as his primary lens on Hurt Locker - it does everything right. Not only is it sharp, has one of the most useful zoom ranges of any lens and has an amazing close-focus, but it also has almost no focus breathing at any focal length. Super-16 zooms are known for their bad focus breathing, and this lens has none at the wide end and almost none at the long end. With a field of view that is roughly equivalent to a 14.5-115mm in Super-35 terms and a close focus that nearly touches the front of the lens, this is the ultimate documentary lens. There is rarely a moment where you feel like you can't get the shot you need or feel like you have to change lenses.
Minimum Focus: 22”
T-Stop Range: T2.4-T16
Outer Diameter: 95mm
Weight: 4.25 lbs
Image Circle: ⌀15.4mm
PL Mount, Super 16 Coverage
There is a good reason Barry Ackroyd chose the Canon 8-64mm T2.4 as his primary lens on Hurt Locker - it does everything right. Not only is it sharp, has one of the most useful zoom ranges of any lens and has an amazing close-focus, but it also has almost no focus breathing at any focal length. Super-16 zooms are known for their bad focus breathing, and this lens has none at the wide end and almost none at the long end. With a field of view that is roughly equivalent to a 14.5-115mm in Super-35 terms and a close focus that nearly touches the front of the lens, this is the ultimate documentary lens. There is rarely a moment where you feel like you can't get the shot you need or feel like you have to change lenses.
Minimum Focus: 22”
T-Stop Range: T2.4-T16
Outer Diameter: 95mm
Weight: 4.25 lbs
Image Circle: ⌀15.4mm
PL Mount, Super 16 Coverage
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