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RENTALS ARRI/Zeiss Ultra 16 S16 Lenses
arri_k2_47560_0_arri_ultra16_6_t1_3_m_1310301.jpeg Image 1 of
arri_k2_47560_0_arri_ultra16_6_t1_3_m_1310301.jpeg
arri_k2_47560_0_arri_ultra16_6_t1_3_m_1310301.jpeg

ARRI/Zeiss Ultra 16 S16 Lenses

$800.00

The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality.

All nine Ultra 16 lenses (6, 8, 9.5, 12, 14, 18, 25, 35, 50 mm) cover the full Super 16 format and are fully compatible with the optical quality, color balance and ergonomics of the other ARRI lenses. The Ultra 16 lenses are the perfect compan- ions to the new Super 16 cameras, the ARRIFLEX 416,
416 Plus and 416 Plus HS.

Add To Cart

The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality.

All nine Ultra 16 lenses (6, 8, 9.5, 12, 14, 18, 25, 35, 50 mm) cover the full Super 16 format and are fully compatible with the optical quality, color balance and ergonomics of the other ARRI lenses. The Ultra 16 lenses are the perfect compan- ions to the new Super 16 cameras, the ARRIFLEX 416,
416 Plus and 416 Plus HS.

The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality.

All nine Ultra 16 lenses (6, 8, 9.5, 12, 14, 18, 25, 35, 50 mm) cover the full Super 16 format and are fully compatible with the optical quality, color balance and ergonomics of the other ARRI lenses. The Ultra 16 lenses are the perfect compan- ions to the new Super 16 cameras, the ARRIFLEX 416,
416 Plus and 416 Plus HS.


Focal Length Aperture Close Focus Front Diameter Weight (lbs)
6mm T1.3 8" 95mm 2.2
8mm T1.3 12" 95mm 2.2
9.5mm T1.3 12" 95mm 2.2
12mm T1.3 12" 95mm 2.2
14mm T1.3 12" 95mm 2.2
25mm T1.3 12" 95mm 2.6
35mm T1.3 14" 95mm 2.4
50mm T1.3 16" 95mm 2.6

ARRIFLEX 416 Plus + ARRI/Zeiss Ultra 16 Lenses

ARRIFLEX 416 Plus + ARRI/Zeiss Ultra 16 Lenses

ARRIFLEX 416 Plus + ARRI/Zeiss Ultra 16 Lenses

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65 19th St 3D, Brooklyn, NY 11232
Office: (347) 335-0686